4.0
Review: Beyond Black, The Place
Where technology has starred, by necessity, as the understudy for physical connection in 2020, we might be wondering what other human qualities and desires cou...
The Place
4.0
Edifice: “The whole of our company is about the energy between people”
Emma Bentley has second thoughts about unwelcome contemporary dance spaces as she talks to Harriet Waghorn of Edifice. They discuss female power, audience conn...
Review: Shut Down, The Place
It is a topic charged with relevance- what it is to be a man in a society that is nowadays more concerned with feminist voices. The combination of a reputable f...
Review: Requardt and Rosenberg’s DeadClub, The Place
Calling all dance aficionados and lovers of the weird and wonderful, you may be eligible for membership to the ever exclusive DeadClub. Being performed at T...
Review: Run, The Place
Run by the 2faced Dance Company is, in fact, a collection of three different pieces: all emotive, potent and wholly individual. The opening piece, which is a...
Review: Stepmothers/Stepfathers, The Place
Arthur Pita, creator of the awarding-winning 2011 adaptation of The Metamorphosis, is back with another stomach-churning production. His new piece, Stepmothers/...