3.0
Review: Persephone’s Dream, The Cockpit
This is one of the most insane pieces of work I have ever seen. An entire ensemble, most of them over fifty, do cats cradle or upper-body physical theatre, try...
Tête à Tête
3.0
4.0
Review: The Hive (Covid Cut), The Cockpit
The Hive was originally performed back in 2016 as a workshop of songs from Act One, and again in 2017 in the form of a complete Act One and a partial Act Two. ...
2.0
Review: The Trilobite, Or The Fall of Mr. Williams, The Cockpit
In a one-off live performance, Tête à Tête Opera Festival presents what has intriguingly been titled The Trilobite, Or The Fall of Mr Williams - a thirty minut...
Review: Earth Makes No Sound, The Place
Self-described as a “provocation about our planet and how we look after it,” Filament Theatre Group bring Earth Makes No Sound to this year’s Tête à Tête Opera ...
Blog: Women in Opera – Is it all skimpy nighties or what?
I recently dreamt that I was being interviewed about my work as a composer of contemporary opera. Nothing unusual, only that this time I was asked a single ques...