Review: Les Blancs, National Theatre
Go and see this production. Go and witness the very essence of drama in practice. Change is occurring now and right now in Lorraine Hansberry’s twentieth cen...
Soutra Gilmour
Review: Reasons To Be Happy, Hampstead Theatre
Neil LaBute’s Reasons To Be Happy is the second play in a trilogy that began in 2008 with Reasons To Be Pretty, and will conclude in the near future with the s...
Review: The Homecoming, Trafalgar Studios
Jamie Lloyd brings us the fiftieth anniversary of (the god that is) Harold Pinter’s The Homecoming – a play that in 1965 was slap bang in the middle of people’s...
Feature: Clare Lizzimore takes the Bull by its horns
Image by Carol Rosegg Director Clare Lizzimore tried to keep to the swift and beautiful aggression promised by the title of her latest production, Bull. Afte...
Review: Assassins, Menier Chocolate Factory
Another musical revival in the wake of British classics Evita and Cats comes from the other side of the Pond. Stephen Sondheim's Assassins, first performed in 1...
Review: Urinetown, Apollo Theatre
Ultra-violence with a cracker of a smile on its face is one of my favourite things; add in singing and it becomes a large gorge-fest of brand spanking new fun. ...