4.0
Review: The Comedy of Errors, The Place, Bedford
As part of a collaboration with The Place, Bedford, we are publishing reviews by three young writers between June and August 2019. This is by 17 year old Ja...
Shakespeare
4.0
3.0
Review: This Noisy Isle, The Higgins Museum, Bedford
As part of a collaboration with The Place, Bedford, we are publishing reviews by three young writers between June and August 2019. This is the second one 12 ye...
4.0
Review: Venice Preserved, The Swan Theatre
Despite its immense contemporary popularity, Thomas Otway’s Venice Preserved is a piece that hasn’t appeared on our stages for a number of years. Admittedly, i...
Review: The Merry Wives of Windsor, Barbican
The Merry Wives of Windsor gets an Essex makeover complete with a shot of reality TV in Fiona Laird’s adaptation filled with big hair, fake tans and good times....
Review: Macbeth, Barbican Theatre
The RSC’s production of Macbeth, directed by Polly Findlay, takes up its London residency at the Barbican, bringing the famed brutalism of the theatre right ont...
Niamh Cusack: “The Macbeths are flesh and blood, they’re not monsters”
Josephine Balfour Oatts chats to Niamh Cusack in the run up to her role as Lady Macbeth at the Barbican. Expect baby comparisons and much love for Shakespeare. ...