"It's urgent that state-subsidised theatres continue to stage work that is not going to find an audience" That's playwright Simon Stephens, quoted in thi...
As The Pitchfork Disney opens at the Arcola Theatre, Philip Ridley shares his thoughts on the pressure of revivals and his commitment to evocative storytelling.
Jessica Wilson examines the Lyric Hammersmith's current revival of Edward Bond's controversial play Saved, which comes in light of the summer's London riots.
Sarah Kane named her final play before her suicide for the time she would often wake up, experiencing a moment of freedom from the delusions of psychos...
An awful lot has changed since those heady days of 2009 when York Theatre Royal first launched its Takeover Festival. For three weeks the theatre's management...
Having read Sarah Kane's Blasted when I was a teenager and finding myself gripped by the literal explosion of dialogue and action you could considering it a c...