Deafinitely Theatre do Sarah Kane: “It has our own soul in it”
Josephine Balfour Oatts interviews Deafinitely Theatre as they undertake one of Sarah Kane's most famous plays and in turn, make history. Paula Garfield’s hand...
Sarah Kane
Review: Crave, Barbican
Sarah Kane’s Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release in 1998 avoided straying from conventional st...
Review: 4.48 Psychosis, Lyric Hammersmith
Clarity visits Sarah Kane between 4:48 and 6am, staying for a brief time before abandoning her in the dark. She waits for her “happy hour”, longs for it, and fo...
Review: 4.48 Psychosis, Lyric Hammersmith
Sarah Kane’s devastating account of real-life suicide is a notoriously difficult play to accomplish. Covering clinical depression in almost sociological detail ...
Review: Cleansed, National Theatre
Sarah Kane’s Cleansed is a tangled tapestry of torment. It depicts torture, rape, hanging, mutilation and murder. It has a couple of softer moments, in which lo...
Edinburgh Fringe Review: Phaedra’s Love, C Nova
The second in a Sarah Kane double bill from Fear No Colours (the first being Cleansed), Phaedra’s Love is Kane’s contemporary reimagining of Seneca’s Phaedra....