Feature: Deafinitely Theatre do Sarah Kane: “It has our own soul in it”
Paula Garfield’s hands make perfect sense. They move swiftly, phonology flying about our circle. As one of the founders of the award-winning company Deafintely ...
Sarah Kane
Review: Crave, Barbican
Sarah Kane’s Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release in 1998 avoided straying from conventional st...
Review: 4.48 Psychosis, Lyric Hammersmith
Clarity visits Sarah Kane between 4:48 and 6am, staying for a brief time before abandoning her in the dark. She waits for her “happy hour”, longs for it, and fo...
Review: 4.48 Psychosis, Lyric Hammersmith
Sarah Kane’s devastating account of real-life suicide is a notoriously difficult play to accomplish. Covering clinical depression in almost sociological detail ...
Review: Cleansed, National Theatre
Sarah Kane’s Cleansed is a tangled tapestry of torment. It depicts torture, rape, hanging, mutilation and murder. It has a couple of softer moments, in which lo...
Edinburgh Fringe Review: Phaedra’s Love, C Nova
The second in a Sarah Kane double bill from Fear No Colours (the first being Cleansed), Phaedra’s Love is Kane’s contemporary reimagining of Seneca’s Phaedra....