Alfred Enoch: “I don’t want to let the audience off the hook”
In our latest feature, Lindsey Huebner interviews Alfred Enoch about opening Crave at Chichester Festival Theatre. They talk about disorientating theatre, the ...
Sarah Kane
I’m trying to dispel the myth that sign language is ‘other’
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new productio...
Review: 4:48 Psychosis, New Diorama Theatre
Although Sarah Kane’s 4.48 Psychosis is a play familiar to most people in touch with the world of theatre, Paula Garfield has directed a first: the only product...
Deafinitely Theatre do Sarah Kane: “It has our own soul in it”
Josephine Balfour Oatts interviews Deafinitely Theatre as they undertake one of Sarah Kane's most famous plays and in turn, make history. Paula Garfield’s hand...
Review: Crave, Barbican
Sarah Kane’s Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release in 1998 avoided straying from conventional st...
Review: 4.48 Psychosis, Lyric Hammersmith
Clarity visits Sarah Kane between 4:48 and 6am, staying for a brief time before abandoning her in the dark. She waits for her “happy hour”, longs for it, and fo...