What’s the last year really been like for theatre critics?
The temporary transfer of live to online theatre has changed the way many theatre critics like Matt Barton approach and write about it. Here, he considers whet...
Sarah Kane
3.0
Review: Gate Generations, The Gate Theatre Online
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3.0
Review: Circles, Living Record Festival
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Alfred Enoch: “I don’t want to let the audience off the hook”
In our latest feature, Lindsey Huebner interviews Alfred Enoch about opening Crave at Chichester Festival Theatre. They talk about disorientating theatre, the ...
I’m trying to dispel the myth that sign language is ‘other’
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new productio...
Review: 4:48 Psychosis, New Diorama Theatre
Although Sarah Kane’s 4.48 Psychosis is a play familiar to most people in touch with the world of theatre, Paula Garfield has directed a first: the only product...