Review: Boris Godunov, The Royal Opera House
Richard Jones’ new production of Mussorgsky’s Boris Godunov opens with the stylistic murder of young Dmitry, the only obstacle between Godunov and the titular c...
Miriam Buether
Review: Measure for Measure, Young Vic
You can say Shakespeare had his pen on the pulse of human behaviour in many ways. What makes his plays relevant for today is that there is some fundamental huma...
Review: The Father, Wyndham’s Theatre
Writer Florian Zeller has expressed his keenness on this piece - on this journey to not simply be voyeuristic but for the audience to become lost in a mental la...
Review: The Father, Tricycle Theatre
“I feel as if I'm losing all of my leaves… I don't understand what's happening any more”. The Tricycle Theatre is a converted music and dance hall, with a bi...
Review: The Girl of the Golden West, London Coliseum
I like neon yellow lights on the front of a Wild West saloon as much as the next theatre critic, but even Mimi Jordan Sherin's lighting and Miriam Buether's set...
Review: The Bee
In Hideki Noda and Colin Teevan's The Bee, a collaboration between Tokyo Metropolitan Theatre and Soho Theatre in association with NODA MAP, two men push th...