From beginning to end, The Watsons pays homage to Jane Austen. Laura Wade’s experimentally metatheatrical play engages Austen’s wit, showcases the wonderful vi...
‘My father got the dog drunk on cherry brandy at the party last night. If the RSPCA hear about it he could get done…’ Sue Townsend’s The Secret Diary of Adrian...
Gerard Alessandrini is no stranger to parodying Broadway musicals and now, the mind behind the Forbidden Broadway canon’s latest subject of parody is Lin-Manuel...
Well here we are. 2017. And AYT’s reviewing team is looking forward to a brand new year of theatre. With a momentous year behind us in terms of world events,...
David Baddiel’s My Family: Not The Sitcom is the funeral speech that Baddiel says he wasn’t able to give. Obviously, he says he would probably omit elements suc...
The overture to Funny Girl, in this first revival since its first iconic run in the sixties, is accompanied by a dance of pink-blue spectrum of lighting colours...