4.0
Review: A Haunted Existence, Battersea Arts Centre
“You may find these things morally wrong. I do not.” That is the ringing clarion call extending from the Somerset town of Taunton in 1954 to the small au...
LGBT
4.0
We really need to show more queer women on stage
Jennifer Cerys is demanding more representation of queer women on stage. She writes about finding our identity on our own terms and how to inspire the younger g...
Producing the Maiden Speech Festival: Making Space For Change
Producer, Lexi Clare writes about why we accept harmful discrimination, the 'openness' of theatre and how she is hoping to make change with Maiden Speech Festiv...
Finding LGBTQ+ voices outside of London
Following on from Camden People's Theatre’s brilliant Come As You Are festival last year, the event is set to replicate its success with a UK tour this Autumn a...
Jordan Seavey: “Queer people should have equal access”
Dovydas Laurinaitis chats to Jordan Seavey about his new play Homos, Or Everyone in America, 'gay theatre' and never having to negotiate your voice. Chroniclin...
Review: Edinburgh Fringe Festival, Sex Drugs and a Cup of Tea, Sweet Venues Novotel
★★★★ Upon leaving university, we quickly forget the trials and tribulations we face while living in shared housing with other university students. Sex, Drugs...