Review: Waste, National Theatre
Perhaps the only truly relevant aspect of Waste, at the National Theatre, is that the white upper classes deal with the country's politics, and avert their priv...
Hildegard Bechtler
Review: Teddy Ferrara, Donmar Warehouse
Teddy Ferrara at the Donmar is a rare thing: utterly absorbing, politically urgent and polished to a tee. Christopher Shinn’s play is about the LGBTQ community ...
Review: Oresteia, Almeida Theatre
Two millennia after its first performance Aeschylus’s Oresteia is as relevant to the heart of our society as it ever was. One of the world’s oldest family drama...
Review: Roots
With the kitchen sink very much at the heart of the action, Arnold Wesker’s second in a trilogy of plays is every part the kitchen sink drama. Sandwiched in...
Review: After the Dance
As I am fascinated by the interwar period and am always intrigued by ‘lost’ novels and plays, this production of After the Dance by Terence Rattigan dir...