Hwaet!, the monologue from Tom Wells, is told from the perspective of Liz (Elizabeth Elvin) - a mother who is nervously awaiting her daughter’s arrival at the ...
It is perhaps stating the obvious to point out that the limits imposed by monologue mean that they require a compelling character to be worthwhile. Magic both ...
Of the Hoard: Rediscovered
plays that I’ve seen, Inscribed may be the boldest, and most contrarian. The monologue from the wonderful
Lemn Sissay MBE follow...
It’s safe to say that that Martha, Josie and the Chinese Elvis is exactly as bizarre as it’s prosaic title might suggest. The set up is familiar, a significant...
Transporting Shakespeare’s Romeo and Juliet from sixteenth century Verona to twenty-first century London, Shakespeare Up Close has modernised this great romanti...
Writer and actor Sophie Woolley writes about creating Bee Detective, a totally accessible play for both deaf and hearing children.
When I decided to write an...