Emma Bentley: I’m So Vain
In the fourth of multi-talented AYT writer, Emma Bentley’s series of very personal articles, she talks about believing, as many of us do, that she needs to lo...
Fleabag
4.0
Review: Fleabag, Wyndham’s Theatre
Fleabag is something of a haunted house, occupied by its long-term tenant: the ghost of Christmas Yet-To-Come. Now, Phoebe Waller-Bridge – the gift that keeps ...
3.0
Review: A Womb of One’s Own, Pleasance Dome, Edinburgh Fringe
If A Womb of One’s Own underwent a paternity test, the results would be conclusive: it is most definitely a distant relative of the Fleabag family. Raised by h...
Review: Camden Fringe, Getting Over Everest, Tristan Bates Theatre
A tale spanning the sheer destructive power of a bad break up, Getting over Everest is a nippy production that is as foul-mouthed and frank as it is funny. Howe...
Edinburgh Review: Freak, Assembly George Square Studios
In an age of Tinder and teenage trips to Malia, attitudes to sexuality are more liberal than ever. Phoebe Waller-Bridge tackled the subject at last year’s Fring...
Feature: “Is ‘Fleabag’ a feminist action? Absolutely”
"People immediately assume it's you", says Phoebe Waller-Bridge when I ask about the challenges of performing her own writing. "We had that conversation early...