Just how inclusive will the return of Edinburgh Fringe be?
This is the full audio of the article Born out of a need for more inclusivity, Edinburgh Fringe has been the go to festival for artists from all over the wo...
Edinburgh International Festival
4.0
Review: Lament for Sheku Bayoh, National Theatre of Scotland and EIF
Lament for Sheku Bayoh is a response to the 2015 death of an unarmed black man, Sheku Bayoh, whilst in police custody in Kirkcaldy, Scotland. Up to six police ...
4.0
Review: Total Immediate Collective Imminent Terrestrial Salvation, Royal Court Theatre
Fresh from the Edinburgh International Festival, Total Immediate Collective Imminent Terrestrial Salvation is a novel approach to theatre-making – in more ways...
Edinburgh International Festival Review: First Love
The plot of Samuel Beckett's 1946 novella, First Love, is so very plausible that, if given only the synopsis, you'd be forgiven for thinking the work had been...
Edinburgh International Festival Review: Embers
A beach. A skull. A voice. Pan Pan Theatre's take on Samuel Beckett's 1959 radio play Embers is no easy experience. The piece focuses on Henry (Andrew Bennett...
Edinburgh International Festival Review: Eh Joe
Lasting 30 minutes and with not a single word uttered from leading man Michael Gambon, you'd think that you were being taken for a ride with Samuel Beckett's ...