4.0
Review: Look, No Hands, Pleasance Online
Lila Clements has come to the Pleasance Theatre to
share her story with us. There is just one little problem: she does not
remember what happened. In the witne...
Digital Theatre
4.0
4.0
Review: Armageddon, Baby! Mannequin Mouth
Many theatre companies have decided to transition their work to the digital realm in the previous year, and Mannequin Mouth is no exception. Besides the fact t...
3.0
Review: PNOC.io, Camden People’s Theatre
Listen to the audio review of PNOC.io here PNOC. io is a digital interactive theatre experience presented by Chronic Insanity at Camden People’s Theatre. Up...
What’s the last year really been like for theatre critics?
The temporary transfer of live to online theatre has changed the way many theatre critics like Matt Barton approach and write about it. Here, he considers whet...
3.0
Review: Echo/ Chamber, Aslant Theatre Company
Echo/Chamber,
written by Antonia Georgieva and Oliver McFadden, is an interactive film where
the audience can make decisions which effects their experience of ...
2.0
Review: a heifer would be needed for the sacrifice, Picatrix-AI
a heifer would be needed for the sacrifice is part of the online festival Take Me Somewhere in Glasgow. Created by avant-garde modular group Picatrix-AI and pe...