3.0
Review: Future Cargo, The Place
Listen to the audio version here. Sitting at home I am instructed, through headphones,
to dial my volume to the max and then down a couple of notches. As I ...
David Rosenberg
3.0
Review: Requardt and Rosenberg’s DeadClub, The Place
Calling all dance aficionados and lovers of the weird and wonderful, you may be eligible for membership to the ever exclusive DeadClub. Being performed at T...
Review: Séance, Summerhall
One thing most of the Fringe’s audience probably have in common is that they have never had a desire to spend 15 minutes in the pitch-black darkness inside a sh...
Latitude review Sunday: Theatre Ad Infinitum’s Bucket List and Séance
The sun went down on another year of theatre, music, arts and literature as Latitude wrapped itself up on Sunday. On the last day of the Suffolk festival, I ...
Feature: LIFT off for David Binder
Since its establishment in 1981, London International Festival of Theatre – or LIFT – have been bringing bold and ambitious theatre to the capital with its bi-a...
Review: The Roof, Doon Street Car Park
As you queue to receive your headphones and are led into an ampitheatre-like construction, The Roof quickly makes you believe you are about to watch something t...