Review: The Sweet Science of Bruising, Southwark Playhouse
Set during the not-so-distant past of the Victorian era where women did not have the right to higher education and were expected to play an ever-subservient rol...
Anna Reid
Review: Dust, Trafalgar Studios
All singing (except without the singing), all dancing (except without the dancing), Dust is a show that has its hands tightly around your heart and won't let go...
Review: Schism, Park Theatre
Harrison is a failed architect turned maths teacher, and at the beginning of Schism, is preparing to end his own life, until boisterous 14-year-old Katherine in...
Review: The Cardinal, Southwark Playhouse
Resurrection scenes abound in the theatre of the late sixteenth and early seventeenth century, the era we usually think of as Shakespearean. Think of Hermione’s...
Review: School Play, Southwark Playhouse
School Play, by Alex Mackeith, is at its best when the dialogue is quick, elegant, and very funny. It begins with the start of a school day. Lara (Fola Evans-Ak...
Review: The Sugar-Coated Bullets of the Bourgeoisie, Arcola Theatre
The Sugar-Coated Bullets of the Bourgeoisie. It takes a second to digest that, just as a title. As a title alone, it packs quite the punch; it’s about as a catc...