In the UK, 20% of individuals are considered disabled. In the LGBTQ+ community, this percentage rises to 40. Yet no fully accessible venue in London caters to ...
It has been two years since Globe Education ran our first Relaxed Performance as part of its Playing Shakespeare with Deutsche Bank programme. This annual progr...
When I was younger, the term ‘accessible theatre’ meant something far different to me than it does now. Being told that a show was ‘accessible’ conjured up imag...
Last month we were treated to an online big bang kicked off by Bryony Kimmings's I’ll Show you mine blog. It has become clear through the online dialogue th...
As Pop Up Opera takes its work into schools for the first time, founder Clem Lovell talks to Sarah Sharp Ah, opera – the everyman theatre. Of all the per...