Leanna Benjamin: “I was losing my desire to write, but now I’ve found it again”
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The show will go on
In honour of a terrible year finally coming to a close, Holly Webster reflects on what she misses most about live theatre and the ways in which the industry ha...
What winning the Luke Westlake Scholarship means to me
The Luke Westlake Scholarship is designed to provide a young actor with financial support to help them both in their final year of drama school and as they ent...
Retrain? We’re already on it, Rishi
A few months on from the furore, Emma Bentley reflects on Rishi Sunak's comments about arts workers retraining and speaks to a few theatre makers who, like man...
Jen Malarkey: “Humans evolve and theatre will too”
Throughout the pandemic, theatre companies have had to find increasingly innovative ways to tell stories and reach communities. In our latest interview, Eleano...
Zoom and gloom: Why digital platforms are no “quick fixes” for accessibility
In our latest article, Emma Rogerson writes on why the rise of digital theatre in the age of Covid may not be the easy accessibility fix it seems to be. Se...