Review: The Match Box, Galway International Arts Festival
With every strike of a match, Sal, the mannerly mother in Frank McGuinness’s monologue, sniffs the sulphur and observes the incalculable time it takes for the l...
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Review: The Pianist, London International Mime Festival, Southbank Centre
Thomas Monckton blusters onto the stage in a flurry of grandeur, his wiry hair stood on end and his coat tails billowing behind him – the maestro has arrived! T...
Review: Black Regent, London International Mime Festival
As the lights of the Purcell Room fade an electro-synth soundtrack begins to echo around the auditorium. A shadowy figure emerges from the darkness; a mountain ...
Edinburgh International Festival Review: First Love
The plot of Samuel Beckett's 1946 novella, First Love, is so very plausible that, if given only the synopsis, you'd be forgiven for thinking the work had been...
Edinburgh International Festival Review: The Tragedy of Coriolanus
The bard enters the battle of the bands in The Tragedy of Coriolanus, an international adaptation of Shakespeare’s classic text with a unique musical accompan...
Edinburgh International Festival Review: Embers
A beach. A skull. A voice. Pan Pan Theatre's take on Samuel Beckett's 1959 radio play Embers is no easy experience. The piece focuses on Henry (Andrew Bennett...