Review: Epoch: 1950, The Vaults
Epoch: 1950 takes the incredibly cool spaces at The Vaults and transports the audience back to the 1950s. This unique theatre experience offers three short play...
Veronica Aloess
Feature: Another Day – “Making stories relevant by taking them out of the theatre”
Veronica Aloess interviews Susanna Narvaez and Patrick Maubert about a new site-specific productions around Blackfriars in London. Another Day is a play root...
Review: The Initiate, Roundabout Auditorium at Hackney Downs Studios
First off, Paines Plough and Northern Stage’s new space, the Roundabout Auditorium, is a thing of beauty. Essentially, this ‘flat pack’ theatre can be packed on...
Feature: Ché Walker – “I don’t think anything quite moves people like song”
Do you remember the first time you went to the Globe? Did you feel like you were stepping back in time? What I remember is some kids rapping about how I needed ...
Review: Adler & Gibb, Royal Court Theatre
Adler & Gibb is an interesting one. True to playwright (and director) Tim Crouch’s style, he plays with the theatrical form in innovative ways you probably ...
Feature: Revolutionising Julius Caesar – Capitalism, churches and change
For 7th Magpies Theatre Company, “the play is always the point of departure.” Dramaturg Ash Rowbin explains how it will be devising around Shakespeare’s origina...
Veronica Aloess
Veronica Aloess is currently Duty Manager of the Battersea Arts Centre and a freelance writer. She has written subtitles for major production companies and channels including the BBC, and written for publications including The Stage, Broadway Baby and One Stop Arts. She trained at Arts Educational Schools London Sixth Form and graduated with a First in English and Creative Writing from Brunel University, as well as completing a year with MGC Futures and the Soho Young Company.