Review: Olaf, Barons Court Theatre
Adapted by Mark Ewbank, Artistic Director of Ottisdotter Productions at the Barons Court Theatre, this is the first time in over 100 years that one of Henrik Ib...
Susie Browning
Review: Smack That (a conversation), Barbican
As part of the Barbican’s 2018 season, The Art of Change, Rhiannon Faith celebrates women’s empowerment through dance theatre. Performed by female survivors, we...
Review: Utility, Orange Tree Theatre
The American playwright Emily Schwend’s award winning play Utility arrives at the Orange Tree Theatre with direction by Caitlin McLeod. Set in East Texas, yello...
Review: Mark Thomas, Stratford East
“They hate it when we laugh at them” Situated in the northern West Bank, the Palestinian city Jenin is an area fractured by cultural divisions, demonstration...
Review: Nightclubbing, Camden People’s Theatre
‘The Light Catcher’ Inspired by the artist Grace Jones and her award winning album ‘Nightclubbing’ (1981), Rachael Young comes to the Camden People’s Theatre...
Review: Humble Boy, Orange Tree Theatre
After its hugely successful production staged at the National Theatre in 2001, Paul Miller brings a new revival of Humble Boy written by Charlotte Jones to the ...
Susie Browning
Having graduated at London Contemporary Dance School, Susie Browning is now a freelance dance artist performing and choreographing. She has a passion for photography and writing poetry. In addition, she writes art reviews for her blog called Form.