Review: A Midsummer Night’s Dream
A Midsummer Night’s Dream has long had a reputation as a director’s playground, a fantasy onto which endless readings and aesthetics can be applied, and where t...
Stewart Pringle
Review: Bane and Bane 2
Few shows in the tiny Tristan Bates studio can boast car chases, frenetic gun battles, toxic mutations and the high-speed pursuit of a rampaging pig monster t...
Review: Firsts 2010, Royal Opera House
Firsts, now in its eighth year, throws the doors of the Royal Opera House open to selected groups of talented performers across a variety of mediums, allow...
Review: Ignition Festival 2010
Tristan Bates annual festival of new theatre seeks to draw together talented young directors, writers and performers with the intention of ignited entirely ne...
Review: Follies
All Star Productions, who have been producing Sondheim on the London Fringe for almost five years, here turn their attention to one of his most divisive and c...
Review: Once Upon A Thames
With effortless fluidity, a vast projected sand painting morphs and blends before our eyes; from a scene of quiet contemplation in an urban park, to a tragi...
