Review: The Customer Is Always Wrong, RichMix
The Customer Is Always Wrong is a one-man performance shown at RichMix for one night only, on the day that the new Chinese year is celebrated. Bill Aitchison,...
Senne Vercouteren
Review: Thebes, New Diorama Theatre
Just north of Warren Street, along Euston Road, a modern business park dominates the vista. Banks, coffee shops and anonymous offices define the place in the ...
Review: Lost Boy, Finborough Theatre
One might say that the tiny Finborough's fame exceeds its seating capacity like no other London venue, and at the very start of the First World War's centenar...
Review: In The Next Room (or The Vibrator Play), St. James Theatre
I had expected a chock-full auditorium upon entering the modern St. James Theatre, half with regards to In The Next Room's popularity with the critics and hal...
Review: Changing Rooms, The Drayton Theatre
There is lots of fun to be had discovering the London fringe and its plethora of tucked-away venues in back rooms, alleyways and indeed above pubs. The Dray...
Review: The Door, Park Theatre
The brand new Park Theatre, opposite Finsbury Park Underground, hosts a number of performance spaces. Backed by the likes of Sir Ian McKellen and Alan Rickman...
Senne Vercouteren
An aspiring theatre producer, Senne Vercouteren graduated from the Courtauld Institute and Birkbeck's MA in Creative Producing. Apart from writing for AYT, he has worked for The Corner Shop and interned at Bill Kenwright Limited. @SenneVercoutere