Review: L’Étoile, The Royal Opera House
The sensation of watching L’Étoile is akin to watching the infamous scene in Moulin Rouge where Toulouse and his band of misfits drink Absinthe and watch the gr...
Rebecca Latham
Review: Bull, Young Vic
Bull offers a ‘how to guide’ in annihilating your opponent in under an hour. Like Matadors, two office colleagues wave a red cloth to lure a beast into rage, th...
Review: Where Will We Live?, Southwark Playhouse
The London housing crisis has been foregrounded for a while now, but it seems with the recent closure of businesses along Brixton’s arches and the rise of Pop U...
Review: Out Of India: Modern Moves, Barbican
Out of India: Modern Moves is a showcase of three distinct pieces demonstrating the rich dance offers of India. NH7, the first piece of the evening, deals wi...
Review: Song of Riots, Battersea Arts Centre
A textured and poetic production, Song of Riots tells an urban fairytale through multiple components working harmoniously on stage, bringing an elaborate experi...
Review: Farinelli and The King, Duke of York’s Theatre
Farinelli and The King tells of the unification of two men who feel equally at odds with their position of privilege having been thrust upon them, and the role ...
Rebecca Latham
Armed with an English degree from Sydney University, Rebecca now lives in London with aspirations of writing about film and theatre. She attempts to model herself on Bill Murray, but more often than not remains home to eat kale and buckwheat. She currently interns at Raindance.