Review: Pageant, London Irish Centre
Drag has always been prominent within the performing arts. In recent years, with drag culture becoming more and more celebrated and mainstream, thanks to RuPaul...
Olivia Gibbs-Fairley
Review: Mrs Orwell, Old Red Lion
The lights dim, and after what is possibly one of the longer blackouts in theatre currently, we see the frail figure of George Orwell (Peter Hamilton Dyer) deep...
Review: Boy’s Club, Jacksons Lane Theatre
Among the hills and leafy streets of north London, lies the aptly named Jacksons Lane Theatre, a charitable arts and cultural venue which showcases contemporary...
Review: Yank!, Charing Cross Theatre
“Some stories didn’t make it in to the history books” is the tagline for Charing Cross Theatre’s newest production and it couldn’t be truer. Yank!, directed by ...
Review: Shit-faced Showtime: The Wonderful Wizard of Oz, Leicester Square Theatre
Right in the heart of the West End, tucked just between Chinatown and Leicester Square lies the aptly named Leicester Square Theatre. Upon descending a set of s...
Review: Neaptide, National Theatre
It’s not often that we see queer women’s stories on stage, rarer still that they feature a lesbian protagonist. That’s what was so exciting about Neaptide – it ...
Olivia Gibbs-Fairley
Olivia has had a passion for theatre since a young age and loves (in no particular order) drag, improv, cabaret, sketch comedy and musicals. Olivia has just graduated from the University of Bristol and is thrilled to have moved back to her home city of London where she can continue to review for A Younger Theatre while pursuing her acting career.