4.0
Review: Dante’s In-Furlough
Dante’s In-Furlough, based on Shel Silverstein’s poem, ‘Billy Markham and the Devil’ is a humorously named immersive piece at London’s ‘The Vaults’, underneath...
Nina Cave
4.0
3.0
Review: Parklife, Virtual Collaborators Festival
Parklife, originally created for the Virtual Collaborators Festival in Leytonstone, questions our access to green spaces and their value through a board game f...
2.0
Review: We Were Having A Perfectly Nice Time, Omnibus Theatre
We Were Having a Perfectly Nice Time works perfectly for a socially distanced venue. A two-hander needing only two chairs, a glass port decanter, and a can of ...
4.0
Review: Letters, Gate Theatre
This is my third and final viewing of Letters. Helena Lymbery and Isabel Adomakoh Young are the performers this week – reuniting these two women who previously...
4.0
Review: Sunnymead Court, Defibrillator with The Actors Centre
This trip to Sunnymead Court is my first trip back to an indoor performance with other audience members. There is chatter from all angles and I'm excited to be...
4.0
Review: Letters, Gate Theatre
This is my second week of watching Letters, quite the staple of a Monday evening. I nestle in with a cup of tea and watch the clock tick down from fifteen minu...
Nina Cave
Sub Editor
Nina is a freelance writer and current Master's student specialising in depictions of Gender and Sexuality in theatre. Nina loves nothing more than immersive performances, and runs her on YouTube channel - Nina Does Things