Review: The Girl Who Fell in Love With the Moon, Greenwich Theatre
The Girl Who Fell In Love With The Moon is an imaginative, whimsical and captivating piece about our obsession with the skies above. Entering Greenwich Thea...
Naomi Kerrigan Asress
Review: The Taming of the Shrew, Etcetera Theatre
Marking Shakespeare's 400-year anniversary, Get Over It Productions, perform one of his classic comedies to commemorate their own 10 year stint at Camden Fringe...
Review: The Staff Room, Theatre N16
Michelle Payne’s new comedy springs into life as part of Actors Awareness week at Theatre N16. Once seated in the intimate theatre, the audience notice a tab...
Review: Cockamamy, Lion and Unicorn Theatre
Cockamamy, the definition means ludicrous; implausible. But is this production, part of the Camden Fringe Festival, a true representation of its definition? ...
Review: The Collector, The Vaults
John Fowles' classic novel The Collector is given a new breath of life in this adaption by Mark Healey. With the themes of class, mortality and obsession at the...
Review: That’s Entertainment, King’s Head Theatre
Do not be fooled from the title, you can learn a lot from That’s Entertainment. Thelma Ruby, aged 91 performs a one woman show, with minimalist direction and on...
Naomi Kerrigan Asress
Born and bred East Londoner, I currently work at the Barbican Centre assisting on projects to engage communities and young people. I have always been passionate about theatre and the power it has to help understand the world we live in. Being dual heritage, I think it is vital that theatre reflects all members of society and I'm keen to find new ways of doing this.