5.0
Review: Ticker, Underbelly Cowgate, Edinburgh Fringe
Written and performed by Tom Machell, Ticker is a fully-fledged, consummate piece of theatre. It is rare and no small achievement for a one-person piece to eng...
Max Thomas
5.0
4.0
Review: Metamorphosis, Sweet Grassmarket, Edinburgh Fringe
Assiduously constructed and impressively acted, Different Theatre’s female-oriented Metamorphosis rings with a new voice and in certain moments resounds with a...
4.0
Review: Venice Preserved, The Swan Theatre
Despite its immense contemporary popularity, Thomas Otway’s Venice Preserved is a piece that hasn’t appeared on our stages for a number of years. Admittedly, i...
4.0
Review: The Taming of the Shrew, Royal Shakespeare Theatre
The Royal Shakespeare Company has been at the heart of bringing classical theatre to a wider audience for many years. Its actors, actresses and creatives have ...
3.0
Review: As You Like It, Royal Shakespeare Theatre
The advertisements for this production of As You Like It extend the mysterious invitation to "come into the forest" and to change our "state of mind". When the...
Review: The Borrowers, Factory Theatre
If it ever feels as though you’re constantly losing things around the house, then you too might have Borrowers, says narrator Eddie, whose childhood memory pro...
Max Thomas
Max is a student, writer and actor based in Cheltenham, whose most recent project, an adaptation of Nineteen Eighty-four, achieved critical and commercial acclaim at the Edinburgh Fringe. Favourite authors include Orwell, Steinbeck, Hitchens, Eliot and Rushdie. On the rare occasions he is uninjured, Max enjoys playing rugby. He also once met Stephen Fry.