3.0
Review: Conspiracy, New Diorama Theatre
That the press performance for Barrel Organ’s latest work Conspiracy falls on Friday the 13th, is an ominous symbol. This night feels ripe for superstition, pa...
Josephine Balfour-Oatts
3.0
4.0
Review: Total Immediate Collective Imminent Terrestrial Salvation, Royal Court Theatre
Fresh from the Edinburgh International Festival, Total Immediate Collective Imminent Terrestrial Salvation is a novel approach to theatre-making – in more ways...
2.0
Review: Rust, Assembly Roxy, Edinburgh Fringe
Kenny Emson’s Rust has a hard time making the leap from page to stage. Sentences move precariously throughout, as if infirm – stilted and somewhat unsatisfying...
3.0
Review: For now we see through a mirror, darkly, Greenside Nicholson Square, Edinburgh Fringe
For now we see through a mirror, darkly is certainly unique. Inspired by texts from Alchemy and Mysticism by Alexander Roob, its concept is fantastical (and ve...
4.0
Review: Fleabag, Wyndham’s Theatre
Fleabag is something of a haunted house, occupied by its long-term tenant: the ghost of Christmas Yet-To-Come. Now, Phoebe Waller-Bridge – the gift that keeps ...
4.0
Review: The Sensemaker, ZOO Playground, Edinburgh Fringe
At a time when the UK is experimenting with mass facial recognition technologies in the name of counter-terrorism, The Sensemaker is a poignant theatrical even...
Josephine Balfour-Oatts
Josephine graduated from The University of Bristol with a BA(Hons) in Drama in 2016. Currently based in London, she is a freelance writer, as well as regular contributor to AYT.