Review: Romeo and Juliet, Garrick Theatre
It’s being touted as the linchpin of the Branagh Theatre season at the Garrick, but aren’t we sick of Romeo and Juliet by now? There must be over 100 performanc...
Rob Ellis
Review: 4.48 Psychosis, Lyric Hammersmith
Sarah Kane’s devastating account of real-life suicide is a notoriously difficult play to accomplish. Covering clinical depression in almost sociological detail ...
Review: Blue/Orange, Young Vic
Whoever commissioned Blue/Orange’s revival at The Young Vic is an evil genius. Has there ever been a more appropriate piece of theatre to represent today’s poli...
Review: Running Wild, Open Air Theatre
Transportive is a great word in theatre. This is more than good set design - it’s ensuring that every technical molecule of a production works in harmony to cap...
Review: Better Together, Jack Studio Theatre
In lieu of recent political events, a play focusing on the aftermath of the 2014 Scottish referendum might feel slightly dated. Indeed Better Together, the new ...
Review: The Comedy About A Bank Robbery, Criterion Theatre
They are back ladies and gentlemen. Exploding into the West End with The Play That Goes Wrong in 2014, Mischief Theatre have been the source of much mirth and m...
Rob Ellis
Rob is a Director/Writer living in North London. He has an MA in Theatre Directing from UEA, is AD of Relish Theatre and AAD of Tower Theatre Company. He also produces the podcast 'Theatre Feuds.' He loves all aspects of theatre, but mostly the watching part.