Review: No Rhyme
Set in the ladies' toilet of a South London nightclub, the audience of No Rhyme are given a snapshot into to life of Lizzie, the toilet attendant. On New Year’s...
Hannah Elsy
Review: Othello
In Hytner’s modern production of Othello, it is only Brabantio, Desdemona’s father (played by William Chubb) who is racist and any jibe made at Othello’s skin...
Review: One Night With Joan
It is hard to believe that Joan Collins is nearly 80. Whereas most ladies of a certain age are settling down for the quiet life, Collins continues to maintain h...
Review: The Life and Sort of Death of Eric Argyle
Fresh from an award-winning run at both the Edinburgh and Dublin Fringe Festivals last summer, Irish Theatre Company 15th Oak’s energy bursts into the Soho Th...
Review: Peter and Alice
John Logan’s new play Peter and Alice explores how stories and fantasy are used as escapism and can sterilise the pains of the past and present. Michael Grandag...
Review: Drifters
Drifters is the first UK production from Strange Arrangements, a theatre company set up in Australia in 1996 and now based in Winchester. Drifters explores the ...
Hannah Elsy
Alongside reading English at King's College London, Hannah runs around the capital watching and performing in as much theatre as physically possible. She enjoys creating new work, and is currently workshopping new ideas with the National Theatre's Young Studio. Hannah has worked as an arts journalist for the Fierce Festival of live art and Bristol's In Between Time Festival.