Review: Sleeping Booty!, Leicester Square Theatre
What’s Cheryl Cole’s new name? Cheryl Verwotsit? Fillisomething? You can always judge a panto on its pop culture references. And there’s plenty shoehorned into ...
Daniel Harrison
Review: Accolade, St James Theatre
I've got to be honest - I've never heard of Emlyn Williams. I'm not quite sure whether that's embarrassing or not. He's described in the programme as 'the welsh...
Review: The Trials of Oscar Wilde, Trafalgar Studios
Just a hop, skip and a jump away from his bust on Adelaide Street, The Trials of Oscar Wilde at Trafalgar Studios is just that: an avid and vivid telling of one...
Review: Evita, Dominion Theatre
Apart from last fortnight’s excellent outing to King Charles III, I rarely venture into the West End. I kind of know what I’m going to get. And if I was trying ...
Review: Drag King Richard III, Riverside Studios
Credit where credit’s due: we are told director Roz Hopkinson had only three days of rehearsal with Anne Zander and Bonnie Adair. And so sets the scene. We beco...
Review: Wedding, Shoreditch Town Hall
To enter Shoreditch Town Hall for Wedding is to enter the set of a Wes Anderson film. Its kitsch aesthetic (grand surroundings up-lit in soft pink) and kooky ch...
Daniel Harrison
A graduate of Theatre Studies, Daniel has worked in a number of different areas within theatre, most recently cutting his teeth with the Communications team at BAC. He is currently Project Assistant for the Young Vic's upcoming Schools Theatre Festival, and is a champion of the power of theatre as a force for good within society.