Review: The Buried Moon, The Rose Playhouse
If you haven’t been inside The Rose Playhouse, that other seventeenth century theatre on the South Bank, it’s well worth a visit. Unlike Shakespeare’s Globe, th...
Dan Rubins
Review: Madame Rubinstein, Park Theatre
Maybe it’s something in the water, but whichever side of the Atlantic you happen to be on, you can currently catch a new piece of theatre that dives behind the ...
Review: Wonderland, New Wimbledon Theatre
Musicals often go through many different reincarnations, even after they’ve made it big. Think of Candide or Cabaret or Merrily We Roll Along, shows that each r...
Review: The Cardinal, Southwark Playhouse
Resurrection scenes abound in the theatre of the late sixteenth and early seventeenth century, the era we usually think of as Shakespearean. Think of Hermione’s...
Review: Obsession, Barbican Centre
Omnipresent in London this season, Ivo van Hove has emerged as one of contemporary western theatre’s most divisive figures. I found his recent Hedda Gabler at t...
Review: Twelfth Night, Blue Elephant Theatre
Shakespeare’s Twelfth Night is all over the place this year. The glorious production starring Tamsin Greig at the National Theatre closes in mid-May, only days ...
Dan Rubins
Originally from New York City, Dan is a writer, composer, and educator currently studying Shakespeare at King's College London. When not at the theatre, he usually can be found singing with two London choirs or reading obscure early modern plays at the library.