Review: The War Has Not Yet Started, Southwark Playhouse
Mikhail Durnenkov’s The War Has Not Yet Started (translated by Noah Birkstead-Breen) comprises of 11 short stories that aim to reflect some of modern societies’...
Calum McIntosh
Review: Great Expectations, The Old Red Lion Theatre
Tom Crowley’s adaptation of Great Expectations transports Charles Dickens’ classic tale to the 21st Century. It follows the story of Pip (Joshua Asare), a young...
Review: Touch, Soho Theatre
Vicky Jones’ Touch is as punchy, hilarious and perceptive as one might expect, following the huge success of Phoebe Waller-Bridge and DryWrite’s Fleabag. The st...
Review: The Machine Stops, Jacksons Lane Theatre
E.M. Forster's The Machine Stops is adapted for the stage by Neil Duffield and relates to humanity’s growing reliance on technology. The audience are taken into...
Review: Two Short Stories, Bread and Roses Theatre
Bag of Beard Theatre Company present Two Short Stories at the Bread and Roses Theatre. The company comprises of six graduates from Italia Conti drama school, wh...
Review: Turmoil, The Courtyard Theatre
All the way from Brazil, Jô Bilac's Turmoil explores a bizarre Jane Austen-esque world with a twist. Dende Collective along with a vastly international cast, (h...
Calum McIntosh
Calum is an Actor and Writer from London. In his spare time he enjoys football, travelling and creating theatre. He is currently writing a screenplay about Sunday League Football, and will be touring to America with The HandleBards in 2017.