Feature: Making Outdoor Theatre: A Theatremaker’s Guide
There is something very special about watching a play outdoors. Whether it is the connection between actor and audience, the feeling that anything can happen, o...
Calum McIntosh
Review: Fanny And Alexander, The Old Vic
Stephen Beresford's adaptation of Ingmar Bergman’s Fanny And Alexander follows the lives of an upper class family, and the dysfunction within it. It is a tale o...
Review: Dust, The Soho Theatre
Milly Thomas’ Dust follows the story of Alice, as she wrestles with her recent death. Looking on as a paranormal observer, she graphically takes the audience ar...
Review: Tracing Grace, Theatre503
Tracing Grace follows the true story of Grace Eves, a young girl who suffers from an illness known as encephalitis, which makes everyday a struggle. Enc...
Review: Ken, The Bunker
It has been ten years since Ken Campbell, 'theatrical maverick', passed away. Terry Johnson’s Ken suitably tributes the genius in this narrated re-enactment of ...
Review: Peeping Tom: Mother (Moeder), Barbican
Mesmerising, mercurial and miraculously weird. There are an abundance of words to describe Peeping Tom’s production of Moeder (Mother), but these few typify the...
Calum McIntosh
Calum is an Actor and Writer from London. In his spare time he enjoys football, travelling and creating theatre. He is currently writing a screenplay about Sunday League Football, and will be touring to America with The HandleBards in 2017.