Lunch and the Bow of Ulysses, Trafalgar Studios
In a Berkoff double-bill special, a bench on a pier within Trafalgar Studios’ flexible and intimate Studio 2 plays host to starkly vivid scenes depicting the be...
Annie Starkey
Review: Torn, Royal Court
The intimate and inclusive in-the-round set up of the Royal Court’s Jerwood Theatre Upstairs was a fitting choice to play host to Nathaniel Martello-White’s new...
Review: The Fatal Friendship, The Rose Playhouse
Although this staged reading of seventeenth-century playwright Catherine Trotter’s The Fatal Friendship is a work in progress, with an eye on a full production ...
Review: The Wawel Dragon, The Scoop
Any high hopes of a pleasurable experience are dashed early on when Gods and Monsters’ adaptation of the Polish folk story The Wawel Dragon begins with a period...
Review: Crime and Punishment: The Rock Musical, The Scoop
A rock musical version of Dostoevsky’s famous novel ‘Crime and Punishment’ seems (aptly) a rather novel enough idea already, but Gods and Monsters Theatre have ...
Review: The Calm, Waterloo East Theatre
With the makings of a strong and novel concept for the basis of a piece of theatre, Who Said Theatre's The Calm sees war spark the cementing of one relationship...
