Brighton Fringe Review: Lost in Transit, Spiegeltent
Join Spiegeltheatre Company in a wild trip across planes, trains, luggage carousels, grand pianos and comedy passport control. Created especially for the Spiege...
Amy Sutton
Brighton Fringe Review: Major Tom, The Old Market
(3/5 Stars) Major Tom is the true tale of Victoria Melody and her basset hound, Major Tom. Inspired by the struggles of her dog when entering it into compet...
Brighton Fringe Review: Bonny Boys Are Few, The Old Courthouse
(2/5 Stars) A son stands at the door of his father’s house, dressed in a conquistador outfit. He knocks – but no one is home. And so unravels two very diffe...
Brighton Fringe Review: Beowulf, The Dukebox Theatre
(4/5 Stars) The Dukebox Theatre is a cosy and intimate space, perfect for this delicate, beautiful retelling of the epic tale of Beowulf. Transformed with s...
Brighton Festival Review: Sun, Brighton Dome
(3/5 Stars) Sun is not a comfortable or easy thing to watch. Full advantage has been taken of the fact that they have access to a sound system so loud a...
Brighton Fringe Review: The Bloody Ballad, The Warren
(4/5 Stars) Imagine Stephen King’s Carrie invading the stage post-prom complete with a live band for a musical confessional, and you begin to get an idea of...
Amy Sutton
Amy Sutton trained as an actor at the Bristol Old Vic Theatre School. She is the co-founder of storytelling theatre group Bard & Troubadour and has her plays published with Lazy Bee Scripts. Growing up around Brighton she is something of a Fringe veteran, and her favourite ice cream flavour is olive oil.