Review: Oh What A Lovely War, Richmond Theatre
Juxtaposing the upbeat, optimistic songs of the 1910s with the horrible truths of life at the Front, Oh What A Lovely War caused much more than a stir when it w...
Alice Weleminsky-Smith
Review: Molly Wobbly, Leicester Square Theatre
Molly Wobbly tells the tale of the residents of Mammary Lane in the town of Little Happening. It’s not a subtle show, and you can grab a pretty good sense of th...
Review: Spamalot, Richmond Theatre
For the first few scenes of Spamalot, I had the same reservations that many of the Monty Python members had when the show debuted in 2004. Why would I want to p...
Review: Twelfth Night, Richmond Theatre
If there is one thing that Shakespeare’s brilliant comedy Twelfth Night lacks, it is the presence of magic and the supernatural which is so beautifully and misc...
Review: Guilt & Shame: Going Straight, Soho Theatre
When a show starts with the audience being given pink or blue hairnets depending on their gender, and various male audience members being asked to chug a beer, ...
Edinburgh Review: Hot Cat, Pleasance Courtyard
Perhaps I was disadvantaged in watching this production by having never seen Tennessee Williams’s Cat on a Hot Tin Roof, on which Hot Cat is based. But I person...
Alice Weleminsky-Smith
When Alice is not busy pretending to study for her Drama and English degree at the University of Birmingham, she can be found making films with the student television station Guild TV, producing and directing theatre, writing for A Younger Theatre and What’s Peen Seen? and eating vast amounts of cheese