4.0
Review: Connecting Voices: Krapp’s Last Tape, Leeds Playhouse
Niall Buggy shuffles onstage as Krapp, the miserable outsider, eating a banana and preparing for his annual self-torture - a birthday recording documenting the...
Aimee Shields
4.0
2.0
Review: Connecting Voices: Dead and Wake, Leeds Playhouse
It was exhilarating to be inside a theatre building again, feeling the palpable buzz that spreads through an audience before a performance. It was a surprise t...
3.0
Review: Dr Blood’s Old Travelling Show, Leeds Playhouse
As I stand in my socially distanced space and Dr Blood's Old Travelling Show explodes out of the back of a white van, with the manic energy of a maca...
3.0
Review: 52 Souls, Chronic Insanity
It’s difficult to write a review of 52 Souls because I can only write about my own experience of this piece, which is one of billions of potential combinations...
4.0
Review: Shebaa’s Adventure to Jopplety How, Concrete Youth
I’m ashamed to say I’m something of a novice when it comes to sensory performance, perhaps because it is still a relatively new medium, or perhaps because ther...
5.0
Review: Adventures With The Painted People, Pitlochry Festival Theatre
Roman and Pictish. Witchcraft and Engineering. Civilisation and Savagery. David Greig’s Adventures with the Painted People is a jigsaw of opposites and the per...
Aimee Shields
Aimee is a cat enthusiast, shoe collector and theatremaker from the North-East. Alongside writing for AYT she is an educator, director and mature student.