Kenny Emson’s Rust has a hard time making the leap from page to stage. Sentences move precariously throughout, as if infirm – stilted and somewhat unsatisfying...
Rachel De-lehay’s latest play doesn’t reveal anything we didn’t already know; a harsh and unfair immigration system devoid of all concern for emotional ties o...
James Corden needs to be superlatively good to carry this show: make no mistake, Francis Hensahll, the “one man” of the title, is onstage virtually the whol...