This week see’s the National Theatre in connection with Spine Breakers launching ‘The Big Break‘, a young scriptwriter competition. Aimed at 13 to 18 year olds the competition gives the chance of adapting Meg Rosoff’s How I Live Now, through working with top directors, writers and actors at the National Theatre by seeing your words brought to life.
Whilst this is a great opportunity for young people to get their writing skills in action leading for a fantastic opportunity at the National Theatre, it does leave me pondering what other opportunities are out there for young people/teenagers in actively engaging within the arts (or mostly theatre).
Of course the National Theatre is constantly striving to work towards promoting themselves as an establishments that works closely with Young People, and nurturing the next generation of Theatre Makers. The New Connections programme at the National Theatre actively seeks new talent from groups of schools and youth groups, leading to presenting their work in the main spaces of the National Theatre and working closely with well known writers. Sadly however, New Connections will be closing their doors for a while as they re-establish themselves within the National Theatre… so how does this gap get filled?
The Battersea Arts Centre, (BAC) springs to mind when thinking about the opportunities for young people. Their Young Peoples Theatre (YPT) gives 12 – 25 year olds the ‘chance to experiment, create and perform original theatre on a professional stage’. Often working with notable directors and practitioners, YPT are an energetic group of young people.
Although I’ve not been to one of their shows at the BAC I watched a paneled discussion on young people within theatre and the impact upon theatre work and audiences. The YPT members present certainly reminded myself of when I was of an age at a ‘young theatre group’, bursting with the desire to perform and be in theatre. I can certainly see stars in the making from YPT.
Another well established theatre working with young people comes in the form of the Lyric Hammersmith. New International Company of Live Arts (NICOLA) the Lyric Young Company were outstanding in their delivery of talented young people. Everything from poetry, monologues and dance was thrown in. There seems to be a real flare within this programme with great results.
Whilst I have highlighted a few of the well known Young Peoples Theatre programmes around London there must be other opportunities for young people dotted all over the city with relation to theatre. There still needs to be more, as most of these groups are highly sought after and over subscribed with waiting lists.
I have spoken about in the past how the future of theatre relies upon the younger generations in bringing new creativity and energy into theatres. What I would love to see is a revolution where the younger generations have their time in taking over the theatres. Often us adults get caught up in being adults and lose all our sense of play and creativity. Why not take a moment to observe the younger generations and feed that energy into theatres, or better still allow that creativity to enter theatres directly through more Young Peoples Theatre organisations.
The time for theatre in the hands of the Younger Generations is upon us, but will you allow it?
If you are under the age of 25 and interested in finding out more about getting involved in theatre, then A Younger Theatre recommends Get Into Theatre.org for more information and opportunities.