“ It is not the fashion to have the lady do  the epilogue.”2015TOSHEOR_MV

Emma Bentley bubbles on stage to bring us an ambitious monologue performance of one girl’s experience growing up in the theatre industry. To She or Not To She takes us to Bentley’s childhood and university years with an undercurrent of anger and riot-rousing feminism, wrapped up in the vehicle of slapstick comedy.

Bentley introduces us to her shrill younger self. Pining for the role of Hamlet, she is reluctantly stuck with Ophelia. Her to-the- book stereotypical reflection of a young girl is funny in its irony. At times the idea that a little girl must be defined by bubblegum pink diva-ness is slightly tiring. Bentley’s experience of going through drama school and moving to London with a horde of drama students (“Has anyone seen my  complete works?!”) reveals moments of genuine hilarity. Bentley’s wonderfully self-deprecating sense of humor establishes a good rapport with the audience. Ever enigmatic, Bentley delivers a consistent show throughout.

A collection of voice-overs from other women discussing sexism in the theatre industry booms over Bentley’s irony-infused journey of self-discovery. The impact is harrowing, but the transition a little uncomfortable. Bentley’s switch from bubbly to intense is almost too fast; as the audience struggles to digest her new tone, Bentley’s sincerity doesn’t always come through.

A touching piece, Bentley’s writing and acting is entertaining and promising. Some moments reveal the work of comedic genius, easily digestible and perfect in timing, whilst others conjure up a deep sense of injustice. The piece is a tender, smile-inducing and intimately personal experience, and Bentley is immediately likeable. To She or Not to She is not sufficiently polished to produce a long-lasting effect, but it is a sweet and entertaining piece of theatre that shows immense promise.

To She or Not to She is playing from 20- 31 August at Pleasance Courtyard, as part of Edinburgh Festival Fringe. For more information, visit the Fringe website