Archive | The Wicked Stage

The Wicked Stage: Reassessing the Jukebox Musical

Posted on 14 February 2012 by Sarah Green

Last month I wrote a blog about book musicals vs concept musicals and how they have been affected by the rise of the ‘jukebox musical’. The mixed comments I received regarding this have made me wonder about this newcomer a bit more. Also, as news comes about a musical currently undergoing workshops in New York [...]

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The Wicked Stage: The reality TV cast-a-thon returns

Posted on 05 February 2012 by Sarah Green

Last October I wrote a blog about celebrity casting, including a quote where composer Andrew Lloyd Webber declared: “I think the reality shows are at saturation point and probably what proves that is what has happened to X Factor in America.”  Now, just four months later, it seems he has partially reneged on this. Whilst [...]

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The Wicked Stage: What’s happened to musical theatre in the South West?

Posted on 22 January 2012 by Sarah Green

Last September I left the bright lights of London for the countryside of North Devon, where my family now live. I grew up in Birmingham before the move to the South East so I have always found theatre very accessible, especially musical theatre. So I was struck to find a distinct lack of musicals down [...]

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The Wicked Stage: Book musicals vs. concept musicals – are they both under threat?

Posted on 08 January 2012 by Sarah Green

If you study musical theatre in any sort of depth you will come to realise that nearly every show falls into one of two categories: either a book musical or a concept show. A book musical strives for realism and integration. A traditional book musical will be thoroughly integrated, in that every song grows out [...]

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