4.0
Review: The Secret Diary of Adrian Mole Aged 13 ¾, Ambassadors Theatre
‘My father got the dog drunk on cherry brandy at the party last night. If the RSPCA hear about it he could get done…’ Sue Townsend’s The Secret Diary of Adrian...
Manuel Muñoz
4.0
3.0
Review: Welcome to the UK, Bunker Theatre
There’s a significant difference between a show that talks about refugees, and a show on this topic whose actors actually are refugees. An inevitable poignancy...
Review: Connie Wookey, The Bunker
London-based actor Constance Wookey brings to The Bunker her one-woman show Connie Wookey: Denied Under Section 221(g) of the Immigration and Nationality Act, a...
Why is violence towards Front of House workers tolerated?
Manuel Muñoz writes about his experience working Front of House and the unacceptable, violent behaviour he and others have had to endure at the hands of audienc...
Review: The Wider Earth, The Jerwood Gallery, Natural History Museum
It is only fitting that a play about the voyage of Charles Darwin aboard the HMS Beagle is staged at the Natural History Museum. The trip that changed the fate ...
Review: Mayerling, The Royal Opera House
There are some episodes in history that are morbidly fascinating. The story of Crown Prince Rudolf of Austria-Hungary (1858-1889) and his life of excess, frustr...
Manuel Muñoz
Manuel is a London-based PhD researcher in Medieval History who loves the arts and is particularly drawn to theatre, musical theatre and opera. With a special interest in all technical aspects of stage productions, he reviews shows for his colleagues at work and posts them on his own blog, which is sad. Or maybe not.