That this Hamlet is mad, there can be no doubt. Yet at multiple points during Ian Rickson's resolutely conceptual production, you find yourself wondering whet...
Despite comedian and compere Seann Walsh's opening spiel on the horrors of the London transport system, the overriding feeling at the culmination of the Old V...
The Fringe presents plenty of opportunities for audiences to pretend to be someone else, but when wearing the shoes of another where would you draw the line...
Cabaret singers, mime artists in whiteface and a ragtag bunch of musicians welcome you to the Belleville Rendez-vous – a French cabaret bar in the Fifties - w...
It is perhaps a sign of the times that the Double Feature – a Depression-era money-making scheme – has found itself on London's South Bank. Indeed, the Nati...
To coincide with A Younger Theatre's interview with Theatre Uncut's Hannah Price and Clara Brennan, Oberon Books has kindly provided five copies of 'Theatre Unc...